Ben UFO

Over the past five years, Ben UFO has acquired a deserved reputation as one of contemporary dance music’s most daring and wide-ranging selectors, with his keen ear and razor-sharp technical abilities enabling him to cut between eras, lineages and mixing styles with dazzling ease and fluidity. Having cut his teeth in early dubstep and drum ’n’ bass, his roots lie in UK rave culture – yet his selections cast the net wider, drawing new mutations of this culture into the orbit of house, techno and other global dancefloor sounds. In the club, his sets somehow manage to be simultaneously considered and raucous, sliding from sidewinding broken rhythms into an irresistible four-to-the-floor groove, or broadsiding you with unexpected tangents, old favourites and bizarre secret weapons. Thomson’s development as a DJ has been inextricably linked to the maturing of Hessle Audio, the label he co-founded in 2007 alongside Pearson Sound and Pangaea. Just as dubstep was starting to unfurl into a sprawling, globalised festival sound, Hessle Audio, in stark contrast, emerged with a strikingly focused, spacious and percussive aesthetic. As the scene continued to unravel, they went on to become one of the most coherent focal points within a rapidly diverging UK dance music community, through their DJ sets, label releases and radio shows on London station Rinse FM. Listening back to Ben’s two official mix CD releases, 2011’s Rinse:16 and 2013’s Fabriclive.67, you can hear snapshots of that evolutionary process in action; they plot subtle and often surprising connections between the pirate radio-borne genres he grew up with, and the worldwide house and techno scene.